Posie Currin
A PSU MFA student.
news & blog search for Posie Currin...
Sep 7, 2009PORT - Portland art + news + reviews
On 9/9/09 Modou Dieng is curating a one night show of 9 video artists titled Echo Gap at Valentines. Lineup includes; Arnold Kemp, Sari Carel, Posie Currin, Stephen Slappe, Sean Carney, David Eckard, Hannah Piper Burns, and some talentless blond hack with a blog.
Echo Gap • 8:30pm • September 9 • one night only
Valentines • 232 S.W. Ankeny

Two of my projects (The Mon Counting Book and Model Minority) were accepted to be exhibit at Lewis and Clark Multicultural Symposium. Come check it out. Sixth Annual Ray Warren Multicultural Symposium (2009): MIXED: THE POLITICS OF HYBRID IDENTITIES November 11-13, 2009 Free and open to the public. All events will be held on campus. Parking is $4 before 7 pm and free after 7 pm.
I'm also a part of 2 exhibitions this November. Come check it out!
IMAGES FROM: THE PSU ART DEPARTMENT CADRE
November 2, 2009 ? November 29, 2009
Interior Lobby | Gallery Hours: 10-5 Monday-Friday
Nighttime Exterior | Video Viewing: Dusk to Dawn | 7 days a week
Statement:
The Portland State University Art Department is made up of... over one hundred full time art
professors, adjunct professors, and day-to-day art operations staff. This current exhibition of
images will give a visual image to the face, and a face to the image, of the artwork, processes,
and philosophies behind this diverse group of people.
...
PNCA MFA student Rebecca Steele and her collaborator, PSU MFA graduate Posie Currin, discuss their project Traveler???s Spirit: On a Collaborative Journey Through Oregon???s High Desert on a recent airing of KBOO???s (90.7FM) Bread and Roses program.
This month IGLOO features the works of Posie Currin and Jenevive Tatiana. Both will be creating installation based works, along with video, painting, and works on paper. The artists work within the realm of the enigmatic, balancing between the familiar and unfamiliar. The works comment on the interstitial, transitional, and cyclical nature of experience and apprehension. "1:1" suggests works existing within a continuum, defined only by the indeterminacy of their current manifestion.
Mar 4, 2008PSU MFA News
AUTZEN GALLERY
April 7-18
Kate Simmons, MFA Exhibition, "Household Predictions and Fanciful Remedies"
Opening Reception Thurs, April 10, 6-8p.
April 28-May 9
Kevin Nagler, MFA Exhibition, "Video Show"
Opening Reception Thurs, May 1, 6-8p.
May 19-30
Posie Currin, MFA Exhibition, "Things In and Of Themselves"
Opening Reception Thurs, May 22, 6-8p.
June 9-20
Amber Moss-Jensen, MFA Exhibition
Opening Reception, Thurs June 12, 6-8p.
MK GALLERY
April 7-18
Amy Steel, MFA Exhibition, "Good Morning"
Opening Reception Thurs, April 10, 6-8p.
April 28-May 9
Shelby Davis, MFA Exhibition, "This All Happens, More or Less"
Opening Reception Thurs, May 1, 6-8p.
May 19-30
Joel Garcia, MFA Exhibition
Opening Reception Thurs, May 22, 6-8p.
Oct 3, 2007PSU MFA News
April 7-18
Kate Simmons, MFA Exhibition, "Household Predictions and Fanciful Remedies"
Opening Reception Thurs, April 10, 6-8p.
April 28-May 9
Kevin Nagler, MFA Exhibition, "Video Show"
Opening Reception Thurs, May 1, 6-8p.
May 19-30
Posie Currin, MFA Exhibition, "Things In and Of Themselves"
Opening Reception Thurs, May 22, 6-8p.
June 9-20
Amber Moss-Jensen, MFA Exhibition
Opening Reception, Thurs June 12, 6-8p.
MK GALLERY
April 7-18
Amy Steel, MFA Exhibition, "Good Morning"
Opening Reception Thurs, April 10, 6-8p.
April 28-May 9
Shelby Davis, MFA Exhibition, "This All Happens, More or Less"
Opening Reception Thurs, May 1, 6-8p.
May 19-30
Joel Garcia, MFA Exhibition
Opening Reception Thurs, May 22, 6-8p.
amy steel -- http://yumyumsnack.blogspot.com/
shelby davis-- http://davisactivities.blogspot.com/
kate simmons--
kevin nagler -- http://bullshithighschool.blogspot.com/
amber moss-jensen -- http://www.ienfaod.blogspot.com/
Joel Garcia -- http://everwonderwhatitallreallymeans.blogspot.com/
emily rose "posie" currin -- http://posierose.blogspot.com/
miles goodwin
bethany hays -- superkitchenwitch.blogspot.com
...
shelby davis-- http://davisactivities.blogspot.com/
kate simmons--
kevin nagler -- http://bullshithighschool
amber moss-jensen -- http://www.ienfaod.blogspot.com/
Joel Garcia -- http://everwonderwhatitallreall
emily rose "posie" currin -- http://posierose.blogspot.com/
miles goodwin
bethany hays -- superkitchenwitch.blogspot.com
...
well it's been over a year perhaps and i've definetly neglated this avenue as a means to push forward and challenge myself. so hear and see and get to gettin.

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I've been grappling for a couple of days thinking about a tittle for my show. I wanted to feel that somehow connected with it. At first I was very interested in the ideas around abstract scenarios and unknown anomalies but then i started thinking about things in and of themselves. Walking to class tonight I ran into my friend Ben I told him how I had been struggling with this and he recomended that I try calling my dad and asking him. Well I did and just off the phone a couple of minuites ago. We talked about my idea for my show and what the concept was and he, being the quantum mathematician he is jumped at the idea of thought forms. He said you know what it is called, what your doing, it's called Affine Transformations....My research has led me to the idea of 'the vanishing women' presented with in the realm of television advertisements and film. There are these moments in commercials where the woman is caught in an emotional moment where it is uncertain how she feels, I want to try and capture these moments on my rather mini statically challenged TV. I like the idea of the women in these portraits being caught off guard to my digital snap shots (not sure if that makes sense but it kind of does to me somehow?). Perhaps by capturing the image in a still frame allows the viewer to assemblage their own ideas of her individuality separate from the connotations of the original intentions of the commercials. This then makes me think that while we reassemble the image's intention we are then trying to connect the woman's image back to its original media context. I am curious if these images hold a different story other then the intentions of the original consumer origins. Or can the women in these static photos regain a sort of ownership of their individual identities?

